One of the real challenges the 2007 WGA Strike presents writers with is the real danger that other forms of entertainment, which don’t require screenwriters, could surge enough in popularity as to make the lack of new scripted programming not seem as pressing, if the strike drags out.
That could lead to protracted unemployment for millions of folks in California, and is likely to have a negative ripple effect on the rest of the economy. Writers and other Hollywood professionals should make sure they have updated their life insurance policies if this becomes a major, protracted work stoppage.
Unscripted shows have already been popular, threatening the survival of scripted dramas and comedies. Could this be the move that makes such reality programming overexposed enough to wear on viewers’ patience, or will it be the act that allows the public to move on from their weekly addictions.
Right now, in the freshness of the strike, viewers are still caught up in their favorite fictions. We all want to know how Hiro turns out in HEROES, what’s really the rest of the secrets remaining on LOST, whether Jack Bauer can survive another 24, and so forth. Will these addictions remain if the strike lasts six months or longer? I’d begin to doubt it. Certain shows already showing age could be canceled due to an inability to reassemble the cast.
I think writers ought to get improved compensation for their labor, obviously; but the quicker a solution comes, the better.
